Who is loudpvck

Both of our families love the fact that we are doing what we love for a living. Anyone who knows either of us was probably sure we would be doing something in music no matter what—this is just where it took us. Our moms both critique all our stuff, and the reviews are always very positive, lmao. Your FB post about getting locked out on the balcony of your hotel is hilarious. What other sidesplitting stories do you have from your life on the road? We have usually one of those a week.

Every city we go to, we try and hit at least one local spot or frat party or whatever. After a while, you get caught in a few tricky scenarios, lol. It was amazing, haha. Whom do you predict will black out first? We will be blacked out long before Krane and Vindata, but hopefully they will keep the show in check, haha.

Realistically, they are two of our favorite acts right now, and we are beyond excited to have them on our hometown lineup. See you guys there. Headliner Highlights. Insomniac Radio —. Thank you for your submission! And I was a music business major. Pretty much the whole time I was at Berklee I was selling weed, trying to meet with rappers who were coming through Boston by selling them weed, and then getting my beats off in that interaction without being too thirsty.

I worked with Twelvvy a bunch. I produced for Dom Kennedy on that same mixtape. Bunch of Smoke DZA shit. And then I found out about the DJ shit. And within six months of doing the DJ shit as the name Loudpvck, I had an agent and a manager. I was making more money doing shows and traveling the country than I was selling weed or doing rap beats. So right when the culmination of my rap shit was starting to happen, I veered away to do this DJ shit for about three years.

Traveled the entire world, played almost every big festival you can name. Then went into a deep hole of depression. So I kind of stopped the whole ship about a year ago, got myself a different studio, learned how to vocal produce. I just took six fucking months and just sat there 12 to 14 hours every single fucking day. Yeah bro, because I knew what it took this time around.

All your friends are gassing you up cause all the blogs have your name on it. I have no idea how to move forward. Fast forward. And I needed to pay really careful attention.

The subtleties, the sound choice, the vibe, the bounce, everything. I got those sounds, I got those drums. You just missed the fucking point.

I realized I needed to pay attention to what these kids are doing to a T. And I was going so hard on myself because when I was younger I never had enough beats. So before I sent one beat out in , I had on my computer. I think not being aware is doing a disservice to yourself. But at least know if an artist comes in, how to serve them.

Sometimes it just has to do with a certain feeling. You need to be able to have any one of those three things or be able to make it immediately. I really believe that. So I know all sides of their shit. Certain things happen with Key!

Have it ready. Because Key! And those are the moments I do it for. Is it more important to serve the artist than to have a specific sound for yourself? I think your job is to serve the artist, period. You are there to produce the artist. The truest sense of the word. They made sure the record had the best performance out of everyone involved possible.